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Italy's Box Office Starts to Pick Up as Exhibitors Try New Things

Italy’s theatrical box office is finally showing some encouraging signs after long lagging behind other European countries in terms of post-pandemic returns.

Italy’s theatrical box office is finally showing some encouraging signs after long lagging behind other European countries in terms of post-pandemic returns.

“Don’t Worry Darling,” segueing from its Venice launch, opened better in Italy than in France and Germany last weekend when the Harry Styles and Florence Pugh-starrer scored €965,000 ($947,000) from Italian screens in the frame ending September 25, landing in the number two spot.  

The “Avatar” re-release weighed in at number one in Italian theaters with €1.65 million ($1.61 million), a better opening than Germany.

The same frame saw three Italian films – all Venice launches – among the top ten. Most notable of these is  Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law. “Ants” has now scored a decent more than €1.4 million ($1.36 million) since bowing on Sept. 8 and briefly reaching the numero uno slot. 

In early September, during Venice, Italy’s culture ministry issued an alarming report showing that in 2022 more than 60% of the country’s population did not go to the movies. Italian admissions for the first half of this year were still down more than 50% compared to the pre-pandemic year 2019, when they reached the 100 million mark. Read More...

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