Max Guy Built a Yellow Brick Road from Chicago to the Land of Oz
The exhibition “But Tell Me, Is It a Civilized Country?” is the result of Max Guy’s deep dive into the Land of Oz, a territory the self-deprecating Witch of the North described as uncivilized because it harbors wizards and witches like her. The exhibition title—actually, the witch’s question to Dorothy about Kansas from the first Oz book, published in Chicago in 1900—brings to mind the racist and criminal inhospitalities of recent times, from Texas and Arizona governors’ callous shuttling of migrants north to Donald Trump’s question about why the United States would want immigrants from “shithole countries.”
For Guy, Oz is a mirror. In an artist talk when the show opened at the Renaissance Society in Chicago, he compared the interrelated Oz literature and films to the Marvel Cinematic Universe, as one self-perpetuating franchise. Two keystones of this franchise, The Wizard of Oz (1939) and The Wiz (1978), play side by side in Guy’s silent video The City and the City, sixth cut (2022). The first effort features an Emerald City that feels at times like Chicago while the later rendition involves many New York filming locations. (Guy’s connection here: he grew up in New York and is now based in Chicago.) In its time, The Wiz suffered at the hands of white critics who questioned the need for revisiting Oz with Black actors, a new script, and new songs. Guy’s video suggests his own study of the changes. He has slowed down both films and plays them to end at precisely the same time, as if to put on equal footing Motown and Metro-Goldwyn-Mayer, an all-white cast and an all-Black one, and Dorothy as played by Judy Garland and by Diana Ross. Read More..