Sakra Review: Donnie Yen’s Latest Martial Arts Wuxia Gets the Job Done
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Loading... - Mawar Anam
- 09 Jun 2023
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Martial arts films have been a global phenomenon since the 1970s, particularly in the United States. However, there is a specific type of movie that has captivated audiences in China, Hong Kong, and Taiwan since the release of films like Zhang Yimou's "Hero" and Ang Lee's "Crouching Tiger, Hidden Dragon." Among the familiar faces in this genre is Hong Kong actor Donnie Yen, who gained recognition for his role in the "Ip Man" series. Now, in 2023, Yen returns to the wuxia genre with an epic film titled "Sakra." Not only does Yen star in the movie, but he also serves as its director and producer.
Wuxia movies, typically based on novels within the same genre, provide a delightful cinematic experience. "Sakra" originated from a novel by one of the greatest wuxia writers of his generation, Jin Yong. The movie was initially released in China during the 2023 Lunar New Year and later in the West. The main roles in "Sakra" are portrayed by Yen, Chen Yuqi, and Cya Liu, although the focus primarily revolves around Yen's character, Qiao Feng.
Although this story has been adapted multiple times in Hong Kong, "Sakra" aims to breathe new life into a beloved novel and the works of its author. Spanning over two hours, the film follows Qiao Feng as he engages in numerous martial arts battles, experiences romance, and embarks on an internal spiritual journey amidst the unfolding events.
A Tale of Redemption and Self-Discovery
Set in a distant past, "Sakra" adheres to the traditions of the wuxia genre by drawing from a tragic backstory. The protagonist, Qiao Feng, was orphaned as a child due to violence. Born into the Khitan tribe, a nomadic group from Northern China, Qiao Feng is adopted by a couple living in the Song Dynasty and Empire. However, as he grows older, he encounters difficulties arising from his mixed heritage. When Qiao Feng becomes the chief of the Beggars' Gang, a prominent martial arts organization in the wuxia genre featured in many films, he finds himself accused of murdering one of their deputy chiefs. Being an outsider and a target of the Liao Empire, the enemies of the Song Dynasty, Qiao Feng faces a precarious situation from the start. Returning home, he discovers his adoptive parents brutally murdered. Branded a traitor and a murderer by his fellow gang members, he is forced to flee, leaving behind everything he had received.
During his journey, Qiao Feng forms an alliance with Azhu, a female servant originally sent to steal from the Beggars' Gang and extract their secrets. When Azhu is injured, Qiao Feng shows mercy and willingly puts himself at risk to ensure she receives the necessary medical attention. However, circumstances separate them, compelling Qiao Feng to embark on a new quest to find himself, seek justice, and avenge his parents and past.
"Sakra" is closely tied to the wuxia serial "Demi-Gods and Semi-Devils," which was first published in a Hong Kong newspaper in 1963. In the original narrative, Qiao Feng is one of the main characters in the second story, as the novel spans multiple chapters and editions. While some may argue that movie adaptations often pale in comparison to the novels, "Sakra" remains largely faithful to the original story crafted by author Jin Yong.
Classic Wuxia Elements
Throughout "Sakra," one can discern the foundational elements that underpin most epic journeys depicted in literature and film, namely, the Hero's Journey. From the outset, Qiao Feng is established as an outsider, someone who does not belong within the society he was forced into. When peculiar events occur, those who previously embraced him as their leader hastily accuse him of causing their misfortunes. Exiled from his tribe, Qiao Feng finds solace in the character of Azhu.
This approach resonates within the genre and the constraints within which the film operates. Qiao Feng's motives and intentions remain obscure in the early stages of the movie, leaving his character's trajectory uncertain. In wuxia tropes, martial arts often serve as a catalyst for the hero's journey, usually against highly corrupt entities or individuals. Jin Yong, the author of the source material, was renowned as one of the foremost wuxia writers of his generation, making him a prominent source of inspiration for aspiring creators within the genre.
However, "Sakra" encounters a significant hurdle in providing emotional stakes that would allow viewers to fully invest in Qiao Feng's journey. The action sequences featuring him battling numerous opponents twice his size are entertaining, yet by the end, a critical question arises: "So what?" Viewers may find themselves pondering the overall message and takeaway from the movie, particularly since Qiao Feng remains distant not only from his on-screen adversaries but also from the audience.
Towards the conclusion, "Sakra" appears to follow a predetermined path, dutifully adhering to the script derived from the source material. His relationship with Azhu feels forced and necessary for the plot's progression, as without her presence, Qiao Feng might endlessly roam the Chinese plains on horseback. Without the action, "Sakra" would risk becoming repetitive and lacking substance, demanding excessive commitment from viewers to sustain engagement.
A Film for Devoted Fans
"Sakra" offers numerous martial arts scenes that intertwine with the plot, but for those unacquainted with the genre, the movie may feel disjointed. Suddenly, action sequences incorporate the manipulation of elements such as fire and water, without providing an explanation. However, it is the seamless integration of these elements, without explicit elucidation, that contributes to the film's effectiveness within the genre. All the characteristic elements of wuxia storytelling become immediately apparent: a hero guided by moral and just principles, the path of exile, and the presence of marginalized individuals challenging the established power structures.
"Sakra" may not cater to a wide audience; it is primarily intended for dedicated fans of the wuxia genre who can fully appreciate the nuances and references throughout the film. The movie's main shortcoming lies in its occasional overemphasis on philosophical musings and dialogue, often appearing contrived and overly explicit in conveying certain messages. While viewers can easily grasp the film's themes and the inner turmoil experienced by its characters, they are occasionally spoon-fed information.
As a consequence, the film becomes unnecessarily protracted, burdened with excessive scenes and dialogue. Nevertheless, Donnie Yen shines as the protagonist, delivering a compelling performance that enhances his martial arts and wuxia filmography. With its grand sets, large-scale fights where Qiao Feng faces hordes of opponents single-handedly, and intricate costume design, "Sakra" may stumble towards the finish line, but it remains largely true to the wuxia genre and its specific conventions. While it may not attract new fans to this genre of cinema, "Sakra" is likely to please dedicated enthusiasts.
